Happy New Year. I’ve been spending time thinking about my next blog. I don’t want to feel forced to post just to keep up with a schedule. I want to write when there’s actually something to say. Lately, I’ve been wondering if people even want to know about the artist behind the work anymore. I see comments and posts everywhere: “I could do that.”   “I’m so annoyed with contemporary art.”   “If I see one more story about the artist behind the work, I’m going to scream.” I find

I hated the colour pink then, but now I’m learning why it felt heavy and reclaiming it in a way that finally feels like me.

People often ask if I use AI in my work. It’s fair, while working, I spend most of my time behind a screen, charging my digital paintbrushes, creating textures until something begins to feel like something. "Indents of love" by Kezleigh But no, I don’t use AI. It’s not a moral stance. It’s just that the kind of images I make come from somewhere memory-shaped, not data-shaped. They start with things I’ve actually seen. I collect those moments, then rebuild them digitally, str

The hustle funds the art. The grind builds the dream. Nothing about this is easy.

Crying Laughing is my first attempt at a series holding light and darkness together without forcing them apart.

Kezleigh is how I care for the inner world, Hand & Paw is how I care for the world we share. This summer, I gave myself permission to...

The Centre of International Contemporary Arts in Vancouver has been holding the International Art Awards since 2021. This year the jurors...

I am so pleased to announce that Kezleigh has been accepted into the Sahar K. Boluki Gallery's group exhibition, The Human Condition. ...